Univernaturalism | Friedrich Nietzsche
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The essence of all beautiful art, all great art, is gratitude.

— Friedrich Nietzsche

Among philosophers, Friedrich Nietzsche is most often associated with nihilism. For Nietzsche, there is no objective order or structure in the world except what we give it. Penetrating the façades buttressing convictions, the nihilist discovers that all values are baseless and that reason is impotent. “Every belief, every considering something-true,” Nietzsche writes, “is necessarily false because there is simply no true world” (Will to Power [notes from 1883-1888]). For him, nihilism requires a radical repudiation of all imposed values and meaning: “Nihilism is . . . not only the belief that everything deserves to perish; but one actually puts one’s shoulder to the plough; one destroys” (Will to Power).

The caustic strength of nihilism is absolute, Nietzsche argues, and under its withering scrutiny “the highest values devalue themselves. The aim is lacking, and ‘Why’ finds no answer” (Will to Power). Inevitably, nihilism will expose all cherished beliefs and sacrosanct truths as symptoms of a defective Western mythos. This collapse of meaning, relevance, and purpose will be the most destructive force in history, constituting a total assault on reality and nothing less than the greatest crisis of humanity:

What I relate is the history of the next two centuries. I describe what is coming, what can no longer come differently: the advent of nihilism. . . . For some time now our whole European culture has been moving as toward a catastrophe, with a tortured tension that is growing from decade to decade: restlessly, violently, headlong, like a river that wants to reach the end. . . . (Will to Power)

Since Nietzsche’s compelling critique, nihilistic themes–epistemological failure, value destruction, and cosmic purposelessness–have preoccupied artists, social critics, and philosophers. Convinced that Nietzsche’s analysis was accurate, for example, Oswald Spengler in The Decline of the West(1926) studied several cultures to confirm that patterns of nihilism were indeed a conspicuous feature of collapsing civilizations. In each of the failed cultures he examines, Spengler noticed that centuries-old religious, artistic, and political traditions were weakened and finally toppled by the insidious workings of several distinct nihilistic postures: the Faustian nihilist “shatters the ideals”; the Apollinian nihilist “watches them crumble before his eyes”; and the Indian nihilist “withdraws from their presence into himself.” Withdrawal, for instance, often identified with the negation of reality and resignation advocated by Eastern religions, is in the West associated with various versions of epicureanism and stoicism. In his study, Spengler concludes that Western civilization is already in the advanced stages of decay with all three forms of nihilism working to undermine epistemological authority and ontological grounding.

In 1927, Martin Heidegger, to cite another example, observed that nihilism in various and hidden forms was already “the normal state of man” (The Question of Being). Other philosophers’ predictions about nihilism’s impact have been dire. Outlining the symptoms of nihilism in the 20th century, Helmut Thielicke wrote that “Nihilism literally has only one truth to declare, namely, that ultimately Nothingness prevails and the world is meaningless” (Nihilism: Its Origin and Nature, with a Christian Answer, 1969). From the nihilist’s perspective, one can conclude that life is completely amoral, a conclusion, Thielicke believes, that motivates such monstrosities as the Nazi reign of terror. Gloomy predictions of nihilism’s impact are also charted in Eugene Rose’s Nihilism: The Root of the Revolution of the Modern Age (1994). If nihilism proves victorious–and it’s well on its way, he argues–our world will become “a cold, inhuman world” where “nothingness, incoherence, and absurdity” will triumph.

Author Information

Alan Pratt
Email: pratta@db.erau.edu
Embry-Riddle University
U. S. A.

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